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“Seven Pieces for Vihuela from the Simancas Manuscript”. The Lute 26 (1986): 81-120. |
Article: journal |
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“A Vihuela Manuscript in the Archivo de Simancas”. The Lute 26 (1986): 3-20. |
Article: journal |
| Corona-Alcalde, Antonio. |
“Fray Juan Bermudo and his Seven Vihuelas”. The Lute 24 (1984): 77-86. |
Article: journal |
| Corona-Alcalde, Antonio. |
“L’organologie de la vihuela”. Aux origines de la guitare: la vihuela de mano. Ed. Joël Dugot. Paris: Musée de la Musique, 2004. 16-28. |
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| Corona-Alcalde, Antonio. |
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“On the Manipulation of Intabulation: a proposed Transposition of 3 Fantasias by Esteban Daza”. LSA Quarterly 26/4 (1991): 4-11. |
Article |
| Corona-Alcalde, Antonio. |
“The earliest vihuela tablature: a recent discovery”. Early Music 20 (1992): 594-600. |
Article: journal |
| Corona-Alcalde, Antonio. |
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Article: journal |
| Corona-Alcalde, Antonio. |
“The Players and Performance Practice of the Vihuela and its related Instruments, the Lute and the Guitar, from c. 1450 to c.1650. as revealed by a Study of Literary, Musical, Theoretical, and Archival Sources”. Diss. King's College, University of London, 1999. |
Book: Thesis |
| Corona-Alcalde, Antonio. |
“The popular music from Veracruz and the survival of instrumental practices of the Spanish Baroque”. Ars musica Denver 7 Nº 2 (Spring 1995): 39-68. |
Article: journal |
| Corona-Alcalde, Antonio. |
“The vihuela and the guitar in sixteenth-century Spain: A critical appraisal of some of the existing evidence”. The Lute 30 (1990): 3-24. |
Article: journal |
| Corona-Alcalde, Antonio. |
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Article: journal |
| Corona-Alcalde, Antonio. |
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Article: journal |
| Corona-Alcalde, Antonio. |
“‘You will raise a little your 4th fret’: An equivocal instruction by Luis Milan?”. Galpin Society Journal 44 (1991): 2-45. |
Article: journal |
| Corona-Alcalde, Antonio. |
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Article: journal |
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Book |
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Book: reference |