| Castagna, Paulo. |
“Os modos e a gênese musical em Luis de Milán”. Revista eletrônica de musicologia [Brazil]; Vol. 1; Issue 1; Sept 1996. [http://www.rem.ufpr.br/REMv1.1/vol1.1/milan.html]
(consulted 3/02/2009) |
Article: journal |
| Cerone, Pedro. |
El Melopeo y Maestro. Tractado de Música theorica y practica. 2 vols. Naples: Gargano e Nucci, 1613; reprinted Bibliotheca Musica Bononiensis, ser. II, nº 25, Bologna: Forni, 1969. |
Book: Facsimile |
| Cerreto, Scipione. |
Dell’arbore musicale. Naples, 1608. Facs. Ed. Francesco Luisi. Lucca: Libreria Musicale Italiana, 1989. |
Book |
| Cerreto, Scipione. |
Della prattica musica vocale et strumentale. Opera necessaria a coloro che di musica si dilettano. Naples: Carlino, 1601. Facs. Bibliotheca musica Bononiensis, Sez. II. Bologna: Forni, 1969. |
Book: Facsimile |
| Chapman, Catherine Weeks. |
“Printed Collections of Polyphonic Music Owned by Ferdinand Columbus”. Journal of the American Musicological Society 21 (1968): 34-84. |
Article: journal |
| Chase, Gilbert. |
“Guitar and Vihuela: a clarification”. Bulletin of the American Musicological Society 6 (1942): 13-14. |
Article: journal |
| Checa Cremades, Fernando (ed.). |
Los inventarios de Carlos V y la familia imperial. Madrid: Fernando Villaverde, 2010.
|
Book |
| Chevalier; Delport, Jean-Claude; Marie-France. |
“De la citation à la définition. «Tañer» et «tocar»: Ou «jouer n’est pas souffler»”. Musica e Storia 10 (2002): 15-26. |
Article: journal |
| Christoforidis, Michael, and Juan Miguel Ruiz Jiménez. |
“A New Source of Sixteenth-Century Polyphony.” Musicology Australia 16 (1993): 61-62. |
Article: journal |
| Christoforidis, Michael, and Juan Miguel Ruiz Jiménez. |
“Manuscrito 975 de la Biblioteca de Manuel de Falla: una nueva fuente polifónica del siglo XVI”. Revista de Muscología 17 (1994): 205-36. |
Article: journal |
| Cidrais Rodrigues, Maria Fernanda, Manuel Morais and Rui Vieira Nery (eds.). |
Livro de homenagem a Macario Santiago Kastner. Lisbon: Fundaçao Calouste Gulbenkian, 1992. |
Book |
| Cintera, Gaspar de la. |
Coplas y chistes muy graciosos, para cantar, y tañer al tono de la vihuela. Agora nuevamente hechas. Burgos: Phelippe de Junta, n.d. [ca 1563] |
Book |
| Claramonte y Corroi, Andrés de. |
Letanía moral. Sevilla: Matías Clavijo, 1613. |
Book |
| Clark, Walter Aaron. |
“Luis de Narváez and the Intabulation Tradition of Josquin’s Mille regretz”. Journal of the Lute Society of America 26-27 (1993-94): 17-52. |
Article: journal |
| Codina, Daniel, J. Dolcet and J. Rifé i Santaló. |
História de la música catalana, valenciana e balear. Barcelona: Edicions 62, 2002. |
Book |
| Coelho, Victor (ed.). |
Lute, Guitar, and Vihuela: Historical Performance and Modern Interpretation. Cambridge Studies in Performance Practice. Cambridge: Cambridge University Press, 1997. |
Book |
| Coelho, Victor. |
“Revisiting the Workshop of Howard Mayer Brown: [Josquin’s] Obsecro te domina and the Context of Arrangement”. La musique, de tous les passetemps le plus beau: Hommage à Jean-Michel Vaccaro. Ed. F. Lesure and H. Vanhulst. Paris: Editions Klincksieck, 1998. 48-65. |
Article: book |
| Cook, Frederick. |
“Die Jacquemart-André-Vihuela: Ungeklärte Fragen”. Gitarre + Laute 5, Nº3 (1983): 177-182. |
Article: journal |
| Cook, Frederick. |
“Die Vihuela: grosse oder kleine mensur?”. Guitarre + Laute 2, Nº3 (1980): 14-18. |
Article: journal |
| Cook, Frederick. |
“Noch einmal: Die Jacquemart-André Vihuela”. Guitarre + Laute 6, Nº1 (1984): 74-77. |
Article: journal |