Ayllón/dynasty. Perhaps the grandson of Rodrigo (1).
• 1590.10.25 died.
• 1590.10.31 inventory of his possessions [AHPT 2176, fol 1168]
• 1591.03.31 AHPT 2062, sf. His wife Gerónima Delgado takes on as an apprentice of an abandoned child (niño depósito) Diego de Puerto Carrero from the Hospital de Santa Cruz in exchange for services. The contract specifies that Ayllón has to teach him “hasta que sepa a vista de los oficiales que dello sepan”
• [reynaudPT, p. 401] Various documents re debts: 1555.09.02 AHPT 1384, fol 102v; 1565.11.24 AHPT 1704, fol 1094; 1576.01.14 AHPT 1798, f 92; 1581.09.14 AHPT 1582,f 1584.
• reynaudPT, p.407 inventory of his belongings on his death 1590.10.31 [AHPT 2176, f 1168] includes five moulds for guitars “à côte d’un outillage tellement réduit que l’on se demande comment son épouse, Gerónima Delgado, put s’engager à enseigner le métier à Diego de Puerto Carrero dans de telles conditions. On ne dénombre, en effet, que trois scies, une varlope, une brosse, deux rapes, une point d’épée, deux couteaux de sculpteur, des utensiles por préparer la colle et un soufflet pour attiser le feu. Il y avait aussi deux caisse contenant un outillage que n’est malheureusement pas décrit, sauf trois gouges, deux grandes et une petit. Ajoutons à cela une pierre pour affûter les outils, un fer pour galber les côtes, un couteau pour tailler les manches, un appareil à fileter et une règle d’ébène et nous aurons clos cette courte liste.” • [reynaudPT, p. 415] details of the contents of his house - very modest
••••romanillos2002, p. 26, [based on Reynaud]: “Luis de Ayllón was a violero in Toledo in 1555. In 1580 he occupied a house in Plaza de las Gallinas for which he paid a rent of 10,000 maravedies. On 31 October 1590, six days after the death of Luis de Ayllón, an inventory of the goods and chattels which had belonged to him was made by a clergyman in the presence of Luis de Ayllón’s widow, Gerónima Delgado [see Appendix No. 15]. In 1591 his widow took on the orphan Diego de Puerto Carreño, in order for him to be taught the craft of the violero.”