Source title | Segu[n]da fantasia sobre la segu[n]da parte del dicho motete, queram[us] cu[m] pastoribus. Quinto tono. Tercero grado. |
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Title in contents | [Dos fantasias enel tercero grado remedido a la primera y segunda parte del motete queramus cum pastoribus.] |
Text incipit |
Category abstract
Genre fantasia
Fantasia type Par
Mode 5
Voices 4
Length (compases) 109
Tuning A
Courses 6
Final V/3
Highest I/8
Lowest VI/0
Difficulty difficult
Tempo medium
Language
Vocal notation
Parody fantasia, with very free re-use of elements from the 2nd half of the prima pars: Quid tu vides and not secunda pars as Valderrabano indicates. Model: again Mouton.
Fantasia which parodies the form and spirit of its model but remains actually quite different in detail.
The closest resemblances are 35-39 of model (anglés ed.) = opening of fantasia, and 45-46 of model are directly parodied in 34-37 of fantasia. Ward comments on this work p. 230. Calls this style “parody by imitation, not literal quotation”.
2 themes are opening duo pair. 109 compases.
Morales, Cristóbal de. Opera omnia. Ed. Higinio Angles. Monumentos de la música española 11, 13, 15, 17, 20, 21, 24, 34 etc. Barcelona and Rome: Consejo Superior de Investigaciones Cientificas, Delegación de Roma, 1952-