Source title | Libro tercero de fantasias, por todos los tonos sobre passos remedados/ansi de a quatro bozes como de a tres. Y cantase la boz q[ue] va asseñalada de colorado. Es la claue de ce sol faut/la tercera en tercero traste,y otras sin passos remedados. |
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Title in contents | Primer tono sobre la, fa, sol, re, mi, re, va la boz que se a de cantar de colorado señalada. |
Text incipit | La fa sol la re mi re |
Category abstract
Genre fantasia
Fantasia type ImM
Mode 1
Voices 4
Length (compases) 122
Tuning G
Courses 6
Final V/2
Highest I/7
Lowest VI/0
Difficulty not specified
Tempo not specified
Language
Vocal notation texted solmised cifras rojas
Monothematic fantasia on la fa sol la re mi re.
Begins Libro III, and distinguishes itself as a competent, interesting and varied work. Treatment of theme is imitative polyphony throughout. Divisible into sections of varied texture and density of thematic entries/occurrences. A couple of secondary motives add interest.
Some minor blemishes: a couple of awkward cadences, some false voice loading. Tonality changes enough to avoid monotony. [Bars over are according to my transcription] A number of thematic entries (few) are only partial. The theme occurs in a number of rhythmic dispositions, starting on both a & e. A couple of minor points of imitation of secondary material occur e.g. 28-30 in A & T.
Head of theme 2 appears again in B in 33-4, 57.
5 main variants of cantus firmus are used. 1a+b+d have note reiterated, 1c+e don’t, but have different pitches on strong beats. 1d is only used in voice pairing. 1a only in the opening section.